The 2/2 time signature, combined with the note patterns in Miroirs brings such an amazing feeling while listening to this track, the whole album even is just a masterpiece in my opinion. So calming and such beautiful composition makes "Time to Die" and wonderful work of art, 100/10
Favorite track: Miroirs.
A magnificent love letter to Blade Runner. Seeping in with the ominous cityscapes to the final "I've seen things" speech (complete with thundering Timpani's), the opener sets the tone for a unique and powerful recording.
Favorite track: Time to Die.
French composer and multi-instrumentalist Christine Ott returns to Gizeh Records for her fourth album ‘Time To Die’, the sequel to the highly regarded ‘Only Silence Remains’ (2016).
‘Time To Die’ is a musical fresco in eight chapters, a sensory journey between the world of the living and the dead, for which the musician weaves a unique dramaturgy between contemporary classical and electro-acoustic music.
The title track picks up the story where ‘Only Silence Remains’ left off ... Like it’s centrepiece; ‘Disaster’, the beloved cinematic text here is read by Casey Brown. Ott seeks to offer strong sensations, without artifice, whether by the power of her compositions on the piano (‘Brumes’, ‘Horizons Fauves’), or by intuitive arrangements mixing her unique practice of Ondes Martenot with a maelstrom of Jupiter8, Monotrons, Timpani and Tubular Bells as on the first track. In addition, Ott captivates us with her harp playing on ‘Chasing Harp’, by her aerial singing on ‘Landscape’, or even on the airwaves on ‘Comma Opening’, which ends a triptych of songs after the versions published on ‘Chimères (pour Ondes Martenot)’ (NAHAL 2020) and on ‘Volutes’ from her side-project Snowdrops (Injazero 2020). These two previous records have been praised by critics, especially in the best records of the year according to The Guardian.
This expressive and spontaneous impetus, leitmotif in her musical production, takes a new form within ‘Time to Die’. Through the notes disseminated in an endlessly reinvented minimalist heritage, the interpretation is the ultimate musical glue allowing the pieces to come to life, thereby making this repertoire and its composer-performer unique. A universe where music - despite the album's title - never dies.
We finally share these few words from the talented American musician and videographer Fredo Viola, with whom Christine has forged long-distance correspondence since the first lockdown. Listening to the record, he wrote her these few words, which he allows us to share here:
"Stunning, terrifying, magnetic, delicate, painful and uncanny... It’s like discovering a bizarre object hanging very low in the sky, something beautiful but unfathomable, just out of reach. The way I see the album is as a series of quite cinematic meditations on the theme of death and dying, changing prismatically, up to that incredibly delicate and beautiful conclusion.” Fredo Viola
released April 9, 2021
All music composed by Christine Ott
Christine Ott — Harp, Vocals, Piano, Ondes Martenot, Jupiter8, Percussions, Timpani, Tubular bells, Monotron, Vibraphone / Mathieu Gabry — Mellotron, Keyboards, Vibraphone, Effects, Processing and Arrangements on 1,4,5,8 / Casey Brown — Spoken Voice on 1
Recorded in Serpentine Studio Strasbourg, Conservatoire de Strasbourg & Musée Würth Erstein from 2012 to 2019 / Mixed by Benoit Burger in Spring 2020 / Mastered by Lawrence English / Artwork by Renaud Allirand / Layout by Richard Knox / Limited Numbered Vinyl Edition includes the piano score of "Miroirs", transcribed by Rémi Zeller
Special thanks to: Renaud Allirand et la Galerie Garnier-Delaporte,
Benoît Burger, Rémi Zeller, Benoît Foegle, Pierre-Loïc Le Bliguet,
Mathieu Gabry, Richard Knox, Vincent Lavigne, Mick Shenton
Gizeh is an independent label based in Manchester, UK. Focusing on a fiercely DIY ethic, Gizeh has grown with it's artists
over the years to form a strong community of musicians and artists from around the world. We have no care for genres or pigeon-holes - simply the noise of harmony and the harmony of noise and the inspiration and spirit of the people who are making that noise....more
This is a gorgeous recording , moving and genuinely spiritual . Pharaoh Sanders has such a deep reservoir of feeling to offer . I have been a fan of his music since the sixties and “Tauhid” ! He just gets better & floating Points is the perfect foil. Listen, loosen and float slow. Jake Bialos